Professor Schaff cites Hugh Hewitt on the tastelessness of the infamous Danish cartoons.
The cartoons were in bad taste, an unnecessary affront to many of the 1.3 billion Muslims in the world, just as Joel Stein affronted the military, the families and friends of the military, and as Toles did the same to the wounded, and their families, friends and admirers. Of course each of them had the absolute right to publish their screed, and the Danish (and now Norwegian) governments must reply to demands that these papers be punished with a steely refusal to be dictated to as to their culture of free expression and the protection of the vulgar and the stupid. But don't cheer the vulgar and the stupid.
Reprinting the cartoons, as many European publications have done (Europe grows a backbone! Film at eleven), is not the same thing as cheering them. I quoted the Stein piece in order to trash it, but I would willingly reproduce the whole if that were necessary to stand up to someone who wanted to shut him down. Blogs that reproduce the cartoons are not thereby expressing opinions on their original propriety.
But I also think that it is far from clear that these cartoons were "vulgar and stupid." Consider this one:
This expresses the basic point of the article that the cartoons originally accompanied. That a European artist has to fear for his life if he draws a picture of the Prophet. Or consider this one:
The target here is not traditional Islam, but the contemporary suicide bomber. I think its a fair shot. I confess I do not understand all the cartoons. The most objectionable seems to be this one:
That is an unambiguous insult to the Prophet. It may be insensitive. But the point it makes, that, as Bernard Lewis has observed, Islam has suppressed the rights and status of half its followers, is neither vulgar nor stupid.
I think that many religious conservatives are concerned to express some solidarity with Muslims, as they think Christianity is frequently insulted in the modern media (which certainly it is). But the question of what is in beyond the pale is not so easy to determine. Suppose some cartoonist should draw a skinhead Jesus, muscular and tattooed, with metal in his face and a gun belt around his shoulders, leading a company of the Aryan Brotherhood to slaughter the lesser races. Such a cartoon would doubtless be offensive to nearly all Christians. But what would be its point? That this is the real Christ? Some would no doubt read it that way. But it also might be pointing out the perfect absurdity of a racist, militant Jesus.
Political cartoons are often vulgar. Vulgar is not the same thing as stupid. Whether the Mohammad cartoons were over the line is a judgment call. But they present defensible arguments.
UPDATE: The Volokh Conspiracy points out that the Boston Globe now insists that
As with the current consensus against publishing racist or violence-inciting material, newspapers ought to refrain from publishing offensive caricatures of Mohammed in the name of the ultimate Enlightenment value: tolerance.
But the Globe vociferously defended such art as Andres Serrano's "Piss Christ", which consisted of a cross submerged in urine. I believe Serrano was funded by the NEA, which the Globe defended against
Sen. Jesse Helms of North Carolina and a band of conservative congressmen and critics over the exhibitions of work by photographers Robert Mapplethorpe and Andres Serrano.
Conservatives should not fool themselves that any senstitivity the MSM should decide to extend to Muslims will be similarly extended to conservative Christians. It won't be.
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